Artisan Talent Tip: When you work on Web design jobs, you are working to please not only your client, but the users of your client's site. It's helpful to know as much as you can about that audience as you begin designing a site for them. For example, who is the target market and what kind of demographic information is available about them? (For instance, a site appealing to men in their 50s will have a different look from one appealing to women in their 20s.)
If you think that there is no such thing as freelance work for artists—think again. Illustrators are still in high demand in the publishing and advertising fields. The problem is that most artists do not have a way to get their work in front of potential clients. Having an online portfolio is one way to accomplish this and showcase your best work.
What do you need to know in order to create an online portfolio? Here are some things to keep in mind if you are thinking about how to position your presence on the web:
Artisan Talent Tip: If you're serious about a freelance Web design career, you want clients who are serious about their Web sites. Many of the prospective clients out there are people who want the cheapest possible product, and don't have a good understanding of how much a quality designer can help their sites.
If you're looking for freelance graphic work, one exciting area that you can focus on is logo creation. This specialized field requires a good ear as well as a good eye. Successful graphic designers know how to listen to a client to find out what they are looking for—and then deliver something amazing that exceeds expectations.
Many designers think that for a logo to be great it has to be complex, but many of the best are very simple. The logo needs to communicate with the viewer, and the graphic designer's job is to marry that concept with the direction the company wants to go with the look. This can be more difficult than people think. Truth is—it takes a lot of practice.
The good news is that the more logos you do, the more information and experience you will have. You may want to create logos for charities as a way of practicing. Once you have a portfolio together of sample logos, it will be far easier to sell your work as a freelance designer.
Artisan Talent Tip: At the mockup stage, it's easy to add features, switch elements, and even redo the whole look of the product. These changes get a lot more difficult when you're working with the real product. A team of Chicago designers might use a standard contract that includes at least one round of alterations at the mockup stage, to emphasize to the client that now is the time to change one's mind.
If you're one of the many freelance artists out there looking for work, try to approach the search in an organized, methodical way. First, register with any talent agencies that represent your career field. Next, attend some networking events in the area to see if you can make any connections. Make sure you bring plenty of business cards and pass them out to everyone you meet. This is actually a good practice in general—you never know when someone is looking for a designer.
Another way to find clients is to utilize freelance job boards. It may take a little time to sift through the ones out there, but when you connect with a good one, it can bring you a lot of work. You may also want to join your local chamber of commerce and any industry-related groups in the area. This can be a great way to expand your reach and meet new people. With freelance work, you can often find clients just by asking around, so the more connections you make, the better your chances are of finding work.
Artisan Talent Tip: To protect themselves and get proper compensation for their work and skills, many designers recommend a series of milestones and payments. For instance, a partnership of New York designers might bill 30% of the final fee on completion of the prototype, 30% on completion of the first draft, and 40% after two rounds of changes. Only after the invoices are paid are the final files provided to the client.
People think of art directors as the creatives who bring concepts to life through imagery. While this is true, they must also be able to do things that are not as "right-brain" oriented. For art directors, jobs change depending on the task at hand. They often have to manage people such as layout artists, designers and copywriters, which requires attention to detail. It also means that art directors must have good communication skills. Generally speaking, the higher the art director's position, the more people she will be in charge of managing.
Many art directors will also handle meeting with clients and creating presentations for them to review as a project moves toward completion. Again, this requires organizational and people skills. A good art director can easily switch between being creative and practical, depending on what is required at any given time. Although this position isn't for everyone, those who thrive on a fast-paced environment with new challenges will do well.
Artisan Talent Tip: A good contract protects the freelance graphic artist by setting out the work to be done, the schedule of work to be delivered, and the schedule of payments to be made. A graphic designer should have a standard contract available for clients to sign, and should not do any work without a signed contract. You should also include a clause reserving the right to display a copy of the completed work as part of your portfolio.
Artisan Talent Tip: Larger organizations seek graphic designers to develop visual styles that will permeate every aspect of the company's work. Freelance graphic designers seeking New York design jobs, or jobs in other sophisticated markets, may be asked to demonstrate proficiency with corporate identity work.